08
Feb
15

The Kid Who Wanted X-ray Vision

As a kid growing up in Ohio, I spent a lot of time reading comic books. When I was not playing outside with my friends, I could usually be found on the living room rug, or the floor of my pup tent, lost in a comic book. It did not matter the theme. I enjoyed a variety of topics. Superman, Batman, Donald Duck, Lone Ranger, Richie Rich, Casper, anything but the romance stuff! The inside cover usually had ads for a variety of products, every thing from miniature cameras to a book on how to “throw your voice”. The item I most coveted was the X-ray Specs! Imagine, for the price of just one American dollar a kid could actually obtain X-ray vision!

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Sadly, I never had a whole dollar that I could send away for this wonderful item. Back then, I was lucky to have the dime to purchase the comic book itself. Yes, ten cents was a huge deal then. Had I dared ask my mother for a dollar to spend on such a superfluous piece of plastic, she would have thought I had totally lost my young mind. Reflecting back on those much-wanted Xray glasses was the inspiration for my latest artwork: Xray Vision!

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I started out with a 24″x36″primed wood panel and began a loose sketch using a black Sharpie. When working with “tin”, I tend to keep my foundation sketch very loose. I want the sketch to give me a sense of how I am going to use the space, yet loose enough that my composition is open to serendipity. I really wanted this piece to be about the glasses, so I was building my sketch around those glasses. Since the wearer’s face would play a supporting role, I filled my space by cropping the head and chin of the person.

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Using some black sheet metal, I cut the shape of the frames of the eye glasses. From there I began working on the lens. I remember the image of the Xray specs in the ad having a circle within a circle, as when one drops a stone into a pool of water. When I actually Googled the old advertisement, I saw it was not quite as I remembered. However, the specs did show energy and that is what I wanted.

 

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I began with a series of circles in white metal, but noticing a very colorful popcorn can in the studio I decided to change course. I cut two spirals from the flattened can and attached them to the eye glasses. Cutting the spirals was bit more challenging than I had predicted, but I felt good about the result.

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The most difficult part of the piece was now behind me, while the most time consuming work was about to begin. I began building the face and head using tin in a range of earth tones. I worked at giving the face some depth through subtle changes in color and value, while at the same time trying to keep the overall look a bit loose. It is also important to me to keep in the piece some of the typography and branding that is on the metal itself, but without it becoming too distracting. I struggle with that issue!

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Once the face and head were nearly complete, I began filling in the negative space, aka “the background”.  I needed the negative space to be dark enough to contrast with the face and head, and not so strong that it would take away from the eye glasses. This took a trial and error approach as I built the background using a variety of darker values and kept my tin palette primarily cool. As you will see in the finished piece, the background is built using a combination of retro branding and pop culture images from repurposed product containers.

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The finished piece ready to attach the hanging hardware! As a last minute addition, I added two small white metal elements to give the eye glasses some extra punch. Thanks for your interest in my work. Whatever YOUR media, go make some art!

 

 

 

25
Jan
15

6 X 6 X 6

P1020487 - Version 2    Last week was the opening of the Art Faculty Exhibition at West Liberty University’s Nutting Gallery. This annual event, which  takes place every January, has a different theme each year. For example, last year was The Dog Show, and in 2013 it was The Meat Show. This year the exhibition was titled “6 X 6 X 6″. Work entered in the show could be any subject or media, but each piece could be no larger than six inches in any direction.

Members of the art faculty vote on the next exhibition theme about eight months in advance, so we have plenty of time to consider the theme and build a new body of work. Last September I began thinking about how I might address the theme, but I did not actually begin work until our winter break in mid-December. Since size (limit of six inches in any direction) was our only controlling factor, I felt this was a time I could playful and and just have fun with it.

I purchased a sheet of 4’x8′ finished 3/4″ plywood that was primed on one side. From this sheet I cut forty 6″x6’squares. A few days into this project I increased the number of wood squares to sixty. As I began covering the wood squares with metal, paper, paint, and other media, the process reminded me of the pages of a sketchbook

A sketchbook is a book or pad with blank pages for sketching, and is frequently used by artists for drawing or painting as a part of their creative process. The content of sketchbooks usually falls within two broad categories: Observation and Invention. Observation focuses on documentation of the external world of the artist, while invention follows the artists’ internal journeys as they develop compositional ideas.

The sketchbook I created is made up of sixty wood “pages”. Each 6”x 6” page contains images in a variety of media. Like a traditional sketchbook, many of these pages are a documentation of the world as I see it or have lived it. These pages include such things as my childhood heroes, or various stories from my life. Other pages explore the creative process, and are nothing more than rough sketches of an idea that may be developed into a larger, more refined work down the road. Here, as in any sketchbook, they all mingle into one big visual salad.

 

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17
Oct
14

Devil Jug

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Last February I was commissioned by a Pennsylvania woman to create a metal collage piece, and I finally got on it last month. The woman was totally open to the direction of the piece, and I was pretty much free to do what I wanted. While I did not feel I needed to create something that would match her couch, I did feel that knowing her collecting interests and what was in her home would help me decide where I might go with this work. In addition to walls filled with paintings and photographs, she had a collection of ceramic face jugs. In case you are not familiar with this art form, the following is a brief history of the face jug by potter Karl Kuhen:

Face jug history is surrounded in mystery. Stories vary about who created face jugs and the reasons for their creation range from the 1700s to the present.

One version is that an unknown potter in Massachusetts created the first face jug in or around 1810. This is inconsistent with the theory that face jugs originated with African slaves who worked on American plantations. A great many slaves brought to the United States were processed in the Caribbean where they acquired a belief in Voodoo. The exposure to Voodoo, along with their own beliefs brought with them from Africa and the introduction to Christianity must have created extraordinary confusion to people from an entirely different culture.

Jug shards have been found on grave sites and along underground railroads. This might imply that the face jugs were very important to the escaping slaves. Speculation is that slaves who were not allowed to have tomb stones. So they developed face jugs as grave markers designed to scare and keep the devil away.

In the 1800’s, many people were becoming ill and dying from the lead glazes used to seal the low-fire pottery that was being used by the settlers of the southern USA. In response, Dr. Abner Landrum founded Pottersville, a group of about 16 or 17 houses with families in the area within 1.5 miles from the Edgefield court house in South Carolina (now Aiken County). It grew into a village of about 150 people, mostly slaves. David Drake is the most notable. They produced lead-free pottery and face jugs until the beginning of civil war. This pottery is now known as Edgefield Pottery. It is the only form of pottery that was made entirely by American tradition. Alkaline glazed stoneware was a re-discovery by Dr.Landrum and his two brothers. (It originated from the Han Dynasty in China over 2000 years ago.) When the civil war started in 1861 Pottersville was abandoned but alkaline glazed pottery continued to be produced in the south. The picture above is from an Edgefield excavation. (Courtesy of Gary Dexter)

In the 1820’s the practice of making face jugs spread throughout South Carolina and into Georgia, North Carolina and other states. In the 1830s about seventy folk potters operated pottery shops within a four mile area of Mossy Creek in White County, Georgia. This became one of the largest pottery communities in the South. Names like Dorsey, Meaders, Craven, Davidson, Pitchford, Brownlow, Warwick, Chandler and Anderson became known, at that time, for their pottery.

 The purpose of the jug evolved. The face jug also became known as the ugly jug in the 1920’s and was used to store alcohol. The jugs became uglier in an attempt to identify the contents and frighten children. Parents warned the youngsters to stay away from them.

Lanier Meaders (1917-1998) is the most famous Georgia folk potter who made face jugs. The Meaders family was famous in Georgia for their stoneware pottery. Lanier was the face jug maker who kept folk art pottery alive in the south   almost on his own!

Today, a few family-operated potteries are still making face jugs in the traditional way. They start with the local clay and fire their work in a wood-burning kiln. The traditional way of making a face jug would often incorporate the use of porcelain teeth and eyes. At the end of a long the day of production, scrap clay is frequently used to make face jugs just for fun.

Recently, quite a few independent potters living throughout the world have taken up the art of making face jugs, Some of these face jugs are crafted in a traditional fashion while other potters are creating far out, highly complex and unique face jugs using a variety of firing techniques.

That collection of face jugs, especially her group of red glazed devil jugs, gave me the inspiration I needed. Here is my version, in repurposed metal, of a red devil face jug and how it was constructed:

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19
Aug
14

Creating Bat Kid

Working out the mask.

Working out the mask.

I recently received a prospectus in the mail from a local art center. This prospectus is for an all-Halloween exhibit that sounded like too much fun for me to pass up. The deadline for submissions is the end of August, so if I was going to participate I needed to get moving.

When I was kid growing up in Toronto, Ohio, Halloween was a really big deal to me and my buddies. Over the years, I went trick or treating in a variety of costumes, some homemade and some store bought. One of my favorite comic book heroes was Batman, and while I never spent a single Halloween as the “caped crusader”, I knew right off that I wanted to create an image of a kid wearing a Batman mask.

A couple of weeks back I purchased a 46″x40″ oak framed blackboard at Rogers Flea Market in Ohio. The blackboard itself was not slate, but rather plywood painted flat black. This rascal is heavy, but I knew it was just right for building a tin piece on, and it was priced at only ten bucks! (A little added note: the back of the blackboard is stamped “Property of US Post Office 1966″.) I decided this would be the support I would use to create my “Bat Kid”.

I have included a slide show of how Bat Kid evolved. What you are looking at is about 24 hours work over a three day period. The weather cooperated and I was able to work on the entire piece on the brick patio outside of my studio. He is repurposed metal and nails, with the frame painted in blue enamel. And although we are not done with summer quite yet, let me be the first to wish you a Happy Halloween!

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06
Jul
14

Rogers is Bonkers on July 4th!

Selfie in the middle of the Rogers madness!

Selfie in the middle of the Rogers madness!

I had not planned to go back to Rogers only one week after my previous trip, but my son and a friend were interested in going. As sometimes happens, I ended up making the drive myself, all the time thinking I should be in the studio. However, Rogers was going gang busters and I did find tin and other materials.

Just a portion of the huge Rogers crowd.

Just a portion of the huge Rogers crowd.

I had never been to Rogers on July 4th, and what an experience! It seemed every dealer space was filled, and there were even dealers set up in grassy areas where I had never seen set-ups before. The people were shoulder to shoulder, and just walking at any more than a crawl was difficult. When you did see something you wanted to look at closer, you had to push your way in and push your way back out. Craziness!

A half dozen table into the flea market and this caught my eye.

A half dozen table into the flea market and this caught my eye.

The first thing I saw that brought me to a full stop was a West Virginia Centennial license plate topper. I looked at it, told myself I did not need it, and walked away. About 100 feet down the row I turned around, went back to the table where the WV piece was, and purchased it after a little haggeling. I knew this would not be going into any artwork, but something that would just look good on the wall.

If only all the cans were a buck!

If only all the cans were a buck!

I started finding a few tins here and there, some old, some new, but all with usable color or texture for future art pieces. Then I stumbled upon two plastic roosters in their original cartons! Oh joy! Now I think there is something funky about plastic roosters wearing their cardboard boxes. They were six bucks for the pair and ……drum roll please…… made in the USA!

What will my wife and I do with these critters? I have no idea. Coincidently, I am currently reading the book “Never Stop to Think….Do I Have a Place for This?”, by Mary Randolph Carter. This book is helping me realize that either I am not crazy, or that there are a lot of crazy people in the world just like me.

Two plastic Rocky-the-Roosters in my wagon! Ha!

Two plastic Rocky-the-Roosters in my wagon! Along with them are a few tins that will be going under the shear back at the studio.

Would you believe that while my wagon was parked in front of another dealer’s space that a woman tried to purchase them? The dealer almost seemed offended and quickly replied, “Mam, those are NOT mine!”. At another dealer’s space I was purchasing some metal and I came back to my wagon to see that one of my roosters were gone. Yes, GONE! I searched the ground quickly to see if it had fallen out. Then I notice a nearby six year old boy holding it and showing it to his mother in the hopes that she might buy it. I got my rooster back.

My regular breakfast stop at Rogers.

Now about this time I start getting hungry for breakfast and that means a stop at Paisano’s. If you read my blog with any regularity, you already know how much I like this pizza. It is the bomb! I lucked out, as it was fairly early and the line had not become too long yet. I got one slice to eat now and a slice to eat a while later. Oh yeah!

My mother taught me to always eat a proper breakfast while at the flea market!

My mother taught me to always eat a proper breakfast while at the flea market!

Deborah Butterfield knockoff?

Deborah Butterfield knockoff?

You just never know what you are going to see at the flea market. In this case, a kitschy version of a Deborah Butterfield horse. Please go to a museum and see a Butterfield piece FOR REAL!

The crowd grows bigger!

The crowd grows bigger!

I considered heading back to Wheeling after just a few hours because just getting through the crowd was getting difficult. It was actually becoming problematic to just get in and out of booths to look at things.

Waiting to be adopted.

Waiting to be adopted.

As I headed back to my truck I stopped to look at a few things, most of which I did not purchase. However, I did pick up a few highway signs from a dealer and these will find a new life back at the studio.

As I loaded the truck for the drive back home, I noticed this cute little trailer parked near by. Now, I was thinking, THAT is the way to visit flea markets!

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27
Jun
14

Got Art Materials? Rogers Does!

 

I always seem to feel bad for the deer who have ended up as hunting trophies.

I always seem to feel bad for the deer who have ended up as hunting trophies.

Lately it seems that the Fridays I had free to visit Rogers were filled with rain, and when it didn’t rain I had other obligations. Finally the stars and moon aligned and today was a Rogers day! I headed up early this morning, joined by friend and former student, Eric Price. As always, you just don’t know what is going to show at Rogers. Today was a particularly good day for metal and a particularly bad one for deer. Unless you wanted a deer head for hanging on your wall, then I suppose it would have been a very good day for you. I don’t quite understand the animal-parts-on-a-wall mentality. I don’t judge, but I do think it’s weird.

A life-size Barbie!

A life-size Barbie!

Not often do I run across a life-size Barbie doll. I guess I’ve NEVER seen a life-size Barbie until today! According to the present owner, our nearly six foot tall plastic friend was made for Bloomingdales back in 1984. Big Barbie was not priced, and I didn’t ask what the dealer was asking for her. In hindsight, I am a bit curious what the owner thought his Barbie was worth. Oh well!

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Lots of stuff look at today!

I was able to find several cans with good color or interesting patterns, along with a stack of what appear to be uncut Coca-Cola playing card box lids. Each one shows a woman from an old Coca-Cola ad. I am unsure how I will use them, but I am thinking they will make good patterns for backgrounds. We’ll see what happens.

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First load of “art materials” back to the truck. The aforementioned Coca-Cola uncut lids can be seen in front of the electric drill display board.

Now all this walking and looking and buying art materials causes one to work up an appetite. There is no better place to fill your belly at Rogers than at Paisano’s Pizza! I used to hear my dad use the term “paisano” when he would run into a friend back in Steubenville, Ohio. It means countryman or brother in Italian, and is the equivalent of “homie” to Italians and Italian-Americans. But I degres. I love pizza: the taste, the smell, the sight of a piping hot slice. Finding a good slice of pizza is not always easy, and finding good pizza at a flea market is almost unheard of. However, Paisano’s is the real deal!

Damn good pizza!

Damn good pizza!

I had to take a bite before I took this photo!

I had to take a bite before I took this photo!

Stomachs full, we get back to the job at hand: more walking and more looking at junk!

 

Artist Eric Price. You can check out Eric's work HERE.

Artist Eric Price, looking for anything that can be turned into a sculpture tool. You can check out Eric’s work HERE.

Dealer offering 1950s-60s magazines.

Dealer offering 1950s-60s magazines.

 

Instant relatives.

Instant relatives.

Yes, even more deer heads. Perhaps their spirits are trying to comfort one another.

Two more deer heads, appearing to be comforting one another.

Near noon the sun is strong and Rogers is heating up. Time to take the last load to the truck and call it a day. Until next time, stay junky my friend, and don’t forget that the flea market can also be your “art materials store!”

Last load of the morning.

Last load of the morning.

 

 

 

 

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25
Jun
14

Wheeling Arts Fest 2014

Chris speaking with our friend, Robert Peterson, shortly after the morning rain stopped.

Chris Villamagna speaking with our friend, painter Robert Peterson, at our booth shortly after the morning rain stopped. Five of my pieces went to new homes by the end of the day. Robert Peterson has been working on a painting series of the urban landscape of Wheeling. In 2012 Robert and I had a joint exhibition titled “Growing Up in Black and White”.

The fourth annual Wheeling Arts Fest was held Saturday, June 21 on and around the campus of West Virginia Northern Community College in downtown Wheeling, WV. This event is presented by the City of Wheeling Arts and Cultural Commission,of which my wife Chris, and I, are part of. The Arts Fest is an admission-free event that offers a wide variety of arts and cultural programs, including live music, artist market, theatre, dance, spoken word, culinary demos, free artist workshops in a variety of media, and much more.

These guys are now the proud owners of a Villamagna.

These guys are now the proud owners of a Villamagna.

Artist Bob Sako was my neighbor at Arts Fest.

Artist Bob Sako was my neighbor at Arts Fest.

Artist Liz Neuman shows off a pastel painting that she purchased from Bob Sako.

Artist Liz Neuman shows off a pastel painting that she purchased from Bob Sako.

Shortly after getting our booth up the rain came! It rained hard and steady for about 30 minutes, keeping away only the hardiest of visitors. Luckily, the rest of the day was cloudy yet dry, permitting Pittsburgh’s Squonk Opera, one of the headline acts of Arts Fest, to draw a big crowd at each of their three performances.

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Squonk Opera!

Arts Fest visitors enjoy Squonk Opera.

Arts Fest visitors enjoy Squonk Opera.

Sqonk Opera continued to amaze and delight!

Sqonk Opera continued to amaze and delight!

Another big hit at Arts Fest was the high energy Cello Fury.

Another big hit at Arts Fest was the high energy Cello Fury.

In addition to these performers, Arts Fest visitors enjoyed Gallowglass, vocalist Linda Cowan, the Tunnel Green Duo, New Age Adenas, Allegro Dance Company, Paie o’Docs, the National Pike Pickers, and more.

Thats me on the left, ceramic artist Lambros Tsuhlares center, and the amazing Roy on the right.

Thats me on the left, ceramic artist Lambros Tsuhlares center, and the amazing Roy on the right. As our dear late friend Paul Padgett used to say, “If you want to get noticed, make it big, and if you can’t make it big, make it red!”

West Virginia Poet Laureate Marc Harshman in the Literary Arts tent.

West Virginia Poet Laureate Marc Harshman in the Literary Arts tent.

No Arts Fest is complete without a visit from Stewie!

No Arts Fest is complete without a visit from Stewie!

Sculptor Eric price checks out paintings by artist Victoria Lavorini.

Sculptor Eric Price checks out paintings by artist Victoria Lavorini.

At the end of the day, the 4th annual Wheeling Arts Fest could be labeled a huge success! Many thanks to the Wheeling Arts and Cultural Commission, it’s volunteers, sponsors and all the artists and performers who helped make it happen!

 

 




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