Posts Tagged ‘mixed media


6 X 6 X 6

P1020487 - Version 2    Last week was the opening of the Art Faculty Exhibition at West Liberty University’s Nutting Gallery. This annual event, which  takes place every January, has a different theme each year. For example, last year was The Dog Show, and in 2013 it was The Meat Show. This year the exhibition was titled “6 X 6 X 6”. Work entered in the show could be any subject or media, but each piece could be no larger than six inches in any direction.

Members of the art faculty vote on the next exhibition theme about eight months in advance, so we have plenty of time to consider the theme and build a new body of work. Last September I began thinking about how I might address the theme, but I did not actually begin work until our winter break in mid-December. Since size (limit of six inches in any direction) was our only controlling factor, I felt this was a time I could playful and and just have fun with it.

I purchased a sheet of 4’x8′ finished 3/4″ plywood that was primed on one side. From this sheet I cut forty 6″x6’squares. A few days into this project I increased the number of wood squares to sixty. As I began covering the wood squares with metal, paper, paint, and other media, the process reminded me of the pages of a sketchbook

A sketchbook is a book or pad with blank pages for sketching, and is frequently used by artists for drawing or painting as a part of their creative process. The content of sketchbooks usually falls within two broad categories: Observation and Invention. Observation focuses on documentation of the external world of the artist, while invention follows the artists’ internal journeys as they develop compositional ideas.

The sketchbook I created is made up of sixty wood “pages”. Each 6”x 6” page contains images in a variety of media. Like a traditional sketchbook, many of these pages are a documentation of the world as I see it or have lived it. These pages include such things as my childhood heroes, or various stories from my life. Other pages explore the creative process, and are nothing more than rough sketches of an idea that may be developed into a larger, more refined work down the road. Here, as in any sketchbook, they all mingle into one big visual salad.


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Creating Bat Kid

Working out the mask.

Working out the mask.

I recently received a prospectus in the mail from a local art center. This prospectus is for an all-Halloween exhibit that sounded like too much fun for me to pass up. The deadline for submissions is the end of August, so if I was going to participate I needed to get moving.

When I was kid growing up in Toronto, Ohio, Halloween was a really big deal to me and my buddies. Over the years, I went trick or treating in a variety of costumes, some homemade and some store bought. One of my favorite comic book heroes was Batman, and while I never spent a single Halloween as the “caped crusader”, I knew right off that I wanted to create an image of a kid wearing a Batman mask.

A couple of weeks back I purchased a 46″x40″ oak framed blackboard at Rogers Flea Market in Ohio. The blackboard itself was not slate, but rather plywood painted flat black. This rascal is heavy, but I knew it was just right for building a tin piece on, and it was priced at only ten bucks! (A little added note: the back of the blackboard is stamped “Property of US Post Office 1966”.) I decided this would be the support I would use to create my “Bat Kid”.

I have included a slide show of how Bat Kid evolved. What you are looking at is about 24 hours work over a three day period. The weather cooperated and I was able to work on the entire piece on the brick patio outside of my studio. He is repurposed metal and nails, with the frame painted in blue enamel. And although we are not done with summer quite yet, let me be the first to wish you a Happy Halloween!

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Roger’s: A Sign of Spring

Morning at Rogers Flea Market

Morning at Rogers Flea Market

Most of you that know me, or at least know this blog, are aware that I love flea markets. I often say that “The flea market is my palette.”. The majority of my art work is comprised of repurposed lithographed metal and found objects, and I obtain most of these materials at the flea market. My favorite outdoor market is in Rogers, Ohio, about 90 minutes north of our home in WV. This past April 18th, my wife, Chris, and I headed to our first Rogers experience of the year. This is truly one of the signs that spring has arrived. We took two friends along with us, Nancy Tirone and Rebekah Karelis, both “Rogers virgins”.

Me, Chris, Bekah, and Nancy ready for our Rogers experience!

Me, Chris, Bekah, and Nancy ready for our Rogers experience!

To give you a little more info on Rogers, here is a blurb from their website:

A Friday visit to the Rogers Community Auction and Market is more than a buying spree. It’s a refreshing dip into rural Americana. Shoppers spill into the gravel walking paths between rail fences that guide shoppers through the maze of tables and between pavilions and barns.

Join the early morning walkers who measure their miles in the gravel aisles for exercise before they shop. The grounds open for business at 7:30 a.m. and vendors start setting up at least an hour before. Those who want to register for the afternoon auctions begin signing in at 7:30.

There is no admission charge and 70 acres of free parking is available. There is no dress code but good walking shoes are recommended if you plan to cover the entire three miles of aisles through the barns and outdoors. The 1,000 to 1,600 vendors, selling an A to Z conglomeration of goods, are randomly scattered so that there is a good variety in each aisle.

We had a fun day at Rogers, but that might be better said through the following photos!


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Mixed Media Art on a Stick!

The annual West Liberty University MAD Fest was held on Friday, April 11, with Professor James Haizlett orchestrating the event. Each year I am asked to teach a mixed-media workshop that is geared towards high school art students and their teachers. For the past two years I presented an altered photograph workshop based on the work of artist Alex Gross. I had seen Alex’s exhibition at the Jonathan Levine Gallery in NYC in the spring of 2012, which inspired the direction of my workshop.

This year I wanted to change things a bit,  just in case one of the visiting students might be returning to my workshop for a second year. Last fall I saw the work of artist Tom Sarver in the 2013 Carnegie International. By chance, my wife, Chris, and I got to meet Tom at the recent Out of Hand event at Contemporary Craft in Pittsburgh. He was there helping event visitors to make their own puppet, and I enjoyed making one myself.

It was about a week before MAD Fest and I still was not sure what I would present. At this point I am just listed in the MAD program as Robert Villamagna: Mixed Media Workshop. My experience with Tom Sarver at Contemporary Craft got me thinking about creating a one hour mixed-media workshop using a stick as the primary vehicle for the artwork.

The "Mixed-Media Art on a Stick" examples I made for the workshop.

The “Mixed-Media Art on a Stick” examples I made for the workshop.

I made a few puppet-like mixed-media examples earlier in the week to hopefully inspire my workshop students. From left to right: The first guy made up of a deconstructed shipping carton, a foamcore head, Sharpie, and miscellaneous scraps, arms are attached with nuts and bolts; the deer head is a piece of plywood, with plastic bread shelving cut into the shape of antlers, acrylic paint, nails, and Sharpie; the skeleton head is foam core with black mat board scrap for eyes, etc., his body and is cut from a plastic beach bottle, arms attached with a rivet tool; and meat head man is a photo copy of meat on foam core, his body is black mat board scraps, arms are attached with nuts and bolts.

My two workshops were scheduled begin at 1 PM and 2 PM. Early that morning I spent about four hours preparing the studio with labeled bins of sticks (wood lathe), cardboard scraps, cloth scraps, plastic detergent bottle pieces, plastic caps, colored and textured paper, etc. I set up a hot glue station with several glue guns, as well as a station for drilling and riveting. I was able to offer a huge assortment of colored and textured mat samples which a student of mine intercepted from the Micheal’s craft store dumpster. (Thanks Amanda!) At each table I had scissors, Tacky Glue, and an assortment of Sharpies. Due to the limited timeframe, I decided at the last minute not offer paint as an option. Even with a hair dryer on hand, paint takes time to dry and with only fifty minutes to work I felt it better to leave paint out of the equation.

Overall, I felt the students were energized, creative, and having a good time. About fifteen minutes into each workshop the studio became a beehive of activity. A special thank you to my WLU student assistants: Kevin, Jessica, and Alex! Here are some photos from my back-to-back workshops:

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